Intro: Am G F E Am G F E Give us this day our daily dose of faux affliction Am F E Forgive our sins forged at the pulpit with forked-tongue-selling faux sermons Am G F E 'Cause I am a new wave of gospel sharp and you'll be thy witness Am Am G A gentlemen if you're gonna preach. For God's sake, preach with conviction Am Strike out the band! Whoa, the conductor is beckoning G Come, congregation, let's sing it like you mean it. F No. Don't you get it? Don't you get it? E Now don't you move. Am Strike out the band! Whoa, the conductor is beckoning G Come, congregation, let's sing it like you mean it. F No. Don't you get it? Don't you get it? E Now don't you move. Am G Just stay where I can see you douse the light! Am Am G Am G F E We sure are in for a show tonight. Am G F E In this little number, we're graced by two displays of character Am G F E We've got: the gunslinger extraordinaire v. walking contradictions Am G F E And I for one can see no blood from the hearts and the wrists you'd allegedly slit Am G Am Am F And I for one won't stand for this. If this scene were a parish, y'all be condemned. Am Strike out the band! Whoa, the conductor is beckoning G Come, congregation, let's sing it like you mean it. F No. Don't you get it? Don't you get it? E Now don't you move. Am Strike out the band! Whoa, the conductor is beckoning G Come, congregation, let's sing it like you mean it. F No. Don't you get it? Don't you get it? E Now don't you, don't you move. F Am G Stay where I can see you douse the lights. Am We sure are in for a show tonight! F Am G Stay where I can see you douse the lights. Am G We sure are in - Stay where I can see you douse the lights. Am G F E La la da da la la da . . .