Cifra Club

Grendel

Sunny Day Real Estate

Acordes: Principal (guitarra acústica y eléctrica)
Selo Cifra Club: esta cifra foi revisada para atender aos critérios oficiais da nossa Equipe de Qualidade.
tonalidad: A

From: MURDOCK*
Date: Sun, 14 Jun 1998 23:37:12 EDT
Subject: s/sunny_day_real_estate/*

                          INCOMPLETE REVISION
                          REVISION IN PROCESS

Tabbed by Brian (Ansigod) McCall 
(Submitted by Daniel Laurine)
=======   written by Jeremy Enigk and Dan Hoerner

D Tuning (D G C F A D) = a whole step down

Spacey feedback intro and background

*1

G1 (left channel) clean

|-------0-------------0-------------0-------------0----------------|
|-----1----1--------1----1--------1----1--------1------------------|
|---0--------0----0--------0----0--------0----0--------0-----------|
|-3-------------2-------------3-------------2--------2-------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|

|-------0-------------0-------------0-------------0----------------|
|-----1----1--------1----1--------1----1--------1----1-------------|
|---0--------0----2--------2----0--------0----0--------0-----------|
|-3-------------2--------------------------------------------------|
|-----------------------------3-------------3----------------------|
|------------------------------------------------------------------|

*2

G1

|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|

|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-15--13-----------------------------------------------------------|
|-X---X------------------------------------------------------------|
|-13--11-----------------------------------------------------------|
|------------------------------------------------------------------|
        ^repeat
G2
|------------------------------------------------------------------|
|-8--8---8--8\---X-X--8--8---8--8\---X-X--8--8---8--8\---X-X--9-/--|
|-X--X---X--X----X-X--X--X---X--X----X-X--X--X---X--X----X-X--X-/--|
|-5--5---5--5\---X-X--5--5---5--5\---X-X--5--5---5--5\---X-X--6-/--|
|----------------X-X-----------------X-X-----------------X-X-------|
|----------------X-X-----------------X-X-----------------X-X-------|

|------------------------------------------------------------------|
|-11\-9------------------------------------------------------------|
|-X---X------------------------------------------------------------|
|-8-\-6------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
        ^repeat

Repeat *1

*3 (Prechorus)

G1 Distortion
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-12-12--12-12--13-13--13-13--13-13-13/-15-15--13-13--15-15--13-13-|
|-X--X---X--X---X--X---X--X---X--X--X---X--X---X--X---X--X---X--X--|
|-10-10--10-10--11-11--11-11--11-11-11/-13-13--11-11--13-13--11-11-|
|------------------------------------------------------------------|

|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-12-13-12\--------------------------------------------------------|
|-X--X--X----------------------------------------------------------|
|-10-11-10\--------------------------------------------------------|
|------------------------------------------------------------------|

G2 Distortion (I'm very uncertain about these, but they go well with G1)

|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-7--7---7--7---8--8---8--8---8--8--8-/-10-10--8--8---10-10--8--8--|
|-5--5---5--5---6--6---6--6---6--6--6-/-8--8---6--6---8--8---6--6--|
|-3--3---3--3---3--3---3--3---3--3--3-/-3--3---3--3---3--3---3--3--|
|------------------------------------------------------------------|

|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-7--8--7----------------------------------------------------------|
|-5--6--5----------------------------------------------------------|
|-3--3--3----------------------------------------------------------|
|------------------------------------------------------------------|

Repeat *2 with distortion for Chorus

Transition after Chorus

G2 (slight distortion)
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-2-2p0-2-2p0-2-2p0-2-2p0-2-2p0....2-------------------------------|
|------------------------------------------------------------------|

G1 (still distorted)
|------------------------------------------------------------------|
|------------------------------------XXXX--------------------------|
|------------------------------------XXXX13--15--13-12-------------|
|------------------------------------XXXXX---X---X--X--------------|
|------------------------------------XXXX11--13--11-10-------------|
|------------------------------------XXXX--------------------------|

Repeat *1

Well, I think you get the idea.  Please send corrections etc...to the
address at the top of the page.  Thanks.
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      • ½ Tonalidad
      • A
      • Bb
      • B
      • C
      • Db
      • D
      • Eb
      • E
      • F
      • F#
      • G
      • Ab
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